urgetocreate:

Émile Bernard, View of Semur Émile Bernard, ca.1906-08

urgetocreate:

Émile Bernard, View of Semur Émile Bernard, ca.1906-08

etceterablog:

Willem de Kooning
Untitled, 1985
oil on canvas

etceterablog:

Willem de Kooning
Untitled, 1985
oil on canvas


wavy branches
2014.4

wavy branches

2014.4

Source: postlls

Famous Painting Recreated as a Large Mural on a Boat’s Roof

Famous Painting Recreated as a Large Mural on a Boat’s Roof

nataliakoptseva:

Ivan Endogurov
George Monastery (Cape Fiolent). Oil on canvas. Irkutsk Regional Art Museum

nataliakoptseva:

Ivan Endogurov

George Monastery (Cape Fiolent). Oil on canvas. Irkutsk Regional Art Museum

Source: nataliakoptseva

loverofbeauty:

David Hockney:    Gregory,   Drawing (1978)    Originally posted by disciplinethepainter

loverofbeauty:

David Hockney:    Gregory,   Drawing (1978)    Originally posted by disciplinethepainter

romandesotomayor:

Tango in Blue by Sally Cooper

romandesotomayor:

Tango in Blue by Sally Cooper

Source: romandesotomayor

bildwerk:

MARCEL DUCHAMP
Bride, 1934 Aquatint in colors by Jacques Villon, on Arches paper, with full margins (deckle on all sides),  I. 19 1/2 x 12 1/4 in. (49.5 x 31.1 cm); S. 25 3/4 x 19 3/4 in. (65.4 x 50.2 cm)
The aquatint of Bride, after the painting of 1912, was printed by Duchamp and his brother Jacques Villon for the Galerie Bernheim-Jeune, Paris, in 1934. Villon, who had been under contract with the gallery since 1922, had produced a series of colored aquatints after the work of such early modern masters as Georges Braque, Paul Cézanne, André Derain, Pablo Picasso, and Pierre-Auguste Renoir. Here he collaborated with Marcel. Arturo Schwarz, The Complete Works of Marcel Duchamp, Thames and Hudson, London, p 722

bildwerk:

MARCEL DUCHAMP

Bride, 1934
Aquatint in colors by Jacques Villon, on Arches paper, with full margins (deckle on all sides),  I. 19 1/2 x 12 1/4 in. (49.5 x 31.1 cm); S. 25 3/4 x 19 3/4 in. (65.4 x 50.2 cm)

The aquatint of Bride, after the painting of 1912, was printed by Duchamp and his brother Jacques Villon for the Galerie Bernheim-Jeune, Paris, in 1934. Villon, who had been under contract with the gallery since 1922, had produced a series of colored aquatints after the work of such early modern masters as Georges Braque, Paul Cézanne, André Derain, Pablo Picasso, and Pierre-Auguste Renoir. Here he collaborated with Marcel.
Arturo Schwarz, The Complete Works of Marcel Duchamp, Thames and Hudson, London, p 722

Source: bildwerk

bofransson:

Ryan Cobourn - Woods

bofransson:

Ryan Cobourn - Woods

Source: bofransson

magictransistor:

Joan Miró, Paysage au Coq (Landscape with Rooster), 1927.

magictransistor:

Joan Miró, Paysage au Coq (Landscape with Rooster), 1927.

Source: magictransistor

About

Inspire me.


Ask me anything Submit